Identities in Turkey
The book, Modernity, Islam, and
Secularism in Turkey, By Alev Cinar outlines the different identities of
modern day Turkey. On one hand, political Islamists relating their identity to
the Ottoman Empire, and on the other, secularists constructing their own in
1923 when the republic of turkey came into being. Both groups constructed their
own realities causing contentions in issues like; headscarf, public space, and
even history.
Although the points of
confrontation lead to the formation of new positive elements, the differences
in their views led to conflicts and divisions within Turkey itself. Both
identities represented themselves as modern rejecting the modernization of the
other identity; the Secularists viewed Islamists to remain backward, while the
Islamists viewed the Secularists to be corrupt.
An important question about Islam
and modernization has been questioned frequently. While the author of the book
argues that since they were able to change the public sphere, modernization is
adequate, the Secularists would argue that the Islamist/Ottoman Identity regarding
change was based on backward ideologies and therefore their modernization is
irrelevant.
According to the author’s
definition of modernization, both identities were successful in changing the
public sphere. For instance, the controversy regarding the headscarf, when the
republic of turkey came to existence, the leader Mustafa Kamal AtaTurk,
banished many taken for granted ideologies including wearing the headscarf in
public. In his point of view, the headscarf was promoting backwardness rather
than modernization and therefore banned wearing it in public places. On the
other hand, during the 1980s, the Islamists promoted the headscarf as a symbol
of decency and tradition rather than backwardness. Moreover, while the
Islamists did not like the way people viewed the headscarf and tried to change
it fashionably, the Secularist saw it as a way to put Islam into context with
modernization.
Likewise, the conflict was not restricted to
social ideologies but extended to ideologies concerning the appropriateness of
public entertainment. The Islamists took charge of the entertainment sector and
influenced its theatre greatly; they were able to blend in several customs (the
secularists Jazz band and the traditional music of Turkey of the Ottoman
Empire) to create traditional music that can relate well to their Ottoman
context and to the Turks in general. However, the Secularists disapproved their
decision and thought it represented backwardness rather than modernization.
In
my Colonialism, National, and Identity class, I had the privilege to listen to
a Turkish speaker talking about her Turkish identity and what it means to be
Turkish. In her speech, it was clear that she was one of the Secularists
because she did not only exclude the Islamists Ottomanists’ point of view, but
incorporated a history well before their existence. In regard to the book we
read for this class, the author of the book includes that in order for a
successful nationalist project to succeed, its history must not date back
further than where their history started. And this was clearly evident in her
speech where according to her the Garden of Eden was in Turkey.
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